Sound The Alarm
Titre Sound The Alarm
Nom du fichier INF059_019_Sound The Alarm_30sec Edit
Description This track builds its identity around a huge, distorted low-end riff that blurs the line between bass and guitar. The tension eases into a quieter pre-chorus before the full arrangement hits back with a massive, hook-driven refrain and a piercing alarm-like synth cutting through the guitars.
CompositeurJonathan Edward Gareze (PRS) 60% [725578515]Jenny Plant (PRS) 35% [1070933274]James Peter Wilson (PRS) 5% [716435742]
ÉditeurWCMF Infini Music (SACEM) 100% [618907915]
ISRC FR2F42615970
Tempo Fast
Paroles

Baby, I'm going kinda crazy, oh yeah maybe, you're not at all
You played me, and now it's getting hazy
As I'm falling down, down, down, you got me drowning down, down, down
I better sound the alarm
I'm not getting played again with this heart
Sound, sound, sound, sound, sound, sound
Sound the alarm
Save me, it's a dream, you were dreaming, when it all went wrong and now I gotta
Sound the alarm
I'm not sitting around again
Sound the alarm, sound the alarm
I know about boys like you, think you have it all worked out, but that's not true, I see it in your
Eyes of oceans, you're like a loop of perpetual motion
Sound the alarm
Sound the alarm
Sound the alarm
Sound the alarm
Sound the alarm
Sound the alarm
Sound the alarm
Sound the alarm
Sound the alarm

Versions alternatives

This track builds its identity around a huge, distorted low-end riff that blurs the line between bass and guitar. The tension eases into a quieter pre-chorus before the full arrangement hits back with a massive, hook-driven refrain and a piercing alarm-like synth cutting through the guitars.
This track builds its identity around a huge, distorted low-end riff that blurs the line between bass and guitar. The tension eases into a quieter pre-chorus before the full arrangement hits back with a massive, hook-driven refrain and a piercing alarm-like synth cutting through the guitars.
This track builds its identity around a huge, distorted low-end riff that blurs the line between bass and guitar. The tension eases into a quieter pre-chorus before the full arrangement hits back with a massive, hook-driven refrain and a piercing alarm-like synth cutting through the guitars.
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